Арон и Майни будут проходить тестирование для Alpine в Абу-Даби.

Арон и Майни будут проходить тестирование для Alpine в Абу-Даби.

      Резервные гонщики Alpine Пауль Арон и Куш Майни управят A525 на тестах в Абу-Даби в следующий вторник. Перед этими тестами Арон заменит Пьера Гасли на первой пятничной практике. Для Майни это будет возможность впервые протестировать современный автомобиль Формулы 1, поскольку ранее он пробовал лишь машины предыдущих сезонов.

      Пауль Арон отметил: «С нетерпением жду возвращения за руль A525 в этот уик-энд в Абу-Даби для своей третьей сессии свободных заездов с командой в этом году. Я уже ездил в Монце и Мехико, что значительно помогло моему развитию как пилота. В прошлом году я радовался возможности участвовать в тестах после завершения сезона и очень благодарен команде за ещё один шанс. Я сделаю всё возможное, чтобы обеспечить успешный гоночный уик-энд для команды».

      Куш Майни добавил: «На тестах я впервые смогу по-настоящему испытать A525. Я знаком с трассой Яс Марина благодаря Формуле 2, и будет интересно сопоставить этот опыт с пилотированием машины Формулы 1. Я благодарен команде за оказанное доверие и постараюсь максимально эффективно выполнить программу, подготовленную командой».

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03 · 12 · 2025

‘Memento Mori: Mexico City’ serves as a counterpart to Fernando Frias’s ‘Depeche Mode: M’, an artistic project that delves into the music of Depeche Mode alongside the deep reverence for death found in Mexican culture. Blending poetry, Mexican folklore, and compelling scenes that reflect on mortality and transience, ‘Depeche Mode: M’ captured Dave Gahan and Martin Gore’s concert series at Mexico’s vast Foro Sol Stadium in 2023.

This release combines the ‘Depeche Mode: M’ film with a full concert from Foro Sol, featuring 23 masterful live performances of Depeche classics such as ‘Enjoy The Silence’, ‘Everything Counts’, ‘Just Can’t Get Enough’, and ‘I Feel You’, in addition to songs from their latest introspective album, ‘Memento Mori’, released in 2023. It showcases Gahan, Gore, multi-instrumentalist Peter Gordeno, and drummer Christian Eigner at their most impactful, seemingly unfazed by the loss of Mode co-founder Andy ‘Fletch’ Fletcher, whose unexpected passing overshadowed the creation of ‘Memento Mori’.

Even in the absence of visuals, the raw emotion on Gore’s face during the heartfelt ballad ‘Home’ is palpable, and Gahan’s energetic, windmill-like movements towards the end of ‘Never Let Me Down’ are unforgettable. One cannot overlook the poignant images of Fletch displayed on the video screens as they perform a touching rendition of his favorite Mode song, ‘World In My Eyes’.

—

‘A Pain That I’m Used To’ is reimagined from its chaotic album version into a powerful and dynamic motorik rock anthem. Similarly, ‘Ghosts Again’, the somber initial single from ‘Memento Mori’, balances its inner sadness with a tender acceptance and subtle joy that resonates with the essence of Frias’s film. A fiery and intense performance of ‘Personal Jesus’, which closes the concert, feels like a confession of life’s end when considered within the film's overarching theme.

The album wraps up with four previously unreleased tracks recorded during the ‘Memento Mori’ sessions. The reasons why these songs didn’t make the final album remain unclear. Among these, ‘Give Yourself To Me’ starts off echoing the yearning of ‘Waiting For The Night’ from ‘Violator’ before evolving into a tougher, more resolute piece.

The contemplative track ‘In The End’, first introduced during the credits of ‘Depeche Mode: M’, reflects our eventual return to dust and is driven by the thickest Depeche Mode bass line since ‘Fly On The Windscreen’. While not cheerful, its unvarnished honesty exemplifies why Frias adeptly focused his lens on this band for his bold and ambitious film.

9/10

Words: Mat Smith

—

Join us on WeAre8 as we explore global cultural events. Follow Clash Magazine HERE for updates as we enjoy the vibrant scenes of clubs, concerts, interviews, and photo shoots. Get exclusive backstage glimpses and insights into our world as the excitement unfolds.

Sign up for the Clash mailing list to receive the latest news in music, fashion, and film. A captivating live document from a legendary band... 03 · 12 · 2025 ‘Memento Mori: Mexico City’ serves as a counterpart to Fernando Frias’s ‘Depeche Mode: M’, an artistic project that delves into the music of Depeche Mode alongside the deep reverence for death found in Mexican culture. Blending poetry, Mexican folklore, and compelling scenes that reflect on mortality and transience, ‘Depeche Mode: M’ captured Dave Gahan and Martin Gore’s concert series at Mexico’s vast Foro Sol Stadium in 2023. This release combines the ‘Depeche Mode: M’ film with a full concert from Foro Sol, featuring 23 masterful live performances of Depeche classics such as ‘Enjoy The Silence’, ‘Everything Counts’, ‘Just Can’t Get Enough’, and ‘I Feel You’, in addition to songs from their latest introspective album, ‘Memento Mori’, released in 2023. It showcases Gahan, Gore, multi-instrumentalist Peter Gordeno, and drummer Christian Eigner at their most impactful, seemingly unfazed by the loss of Mode co-founder Andy ‘Fletch’ Fletcher, whose unexpected passing overshadowed the creation of ‘Memento Mori’. Even in the absence of visuals, the raw emotion on Gore’s face during the heartfelt ballad ‘Home’ is palpable, and Gahan’s energetic, windmill-like movements towards the end of ‘Never Let Me Down’ are unforgettable. One cannot overlook the poignant images of Fletch displayed on the video screens as they perform a touching rendition of his favorite Mode song, ‘World In My Eyes’. — ‘A Pain That I’m Used To’ is reimagined from its chaotic album version into a powerful and dynamic motorik rock anthem. Similarly, ‘Ghosts Again’, the somber initial single from ‘Memento Mori’, balances its inner sadness with a tender acceptance and subtle joy that resonates with the essence of Frias’s film. A fiery and intense performance of ‘Personal Jesus’, which closes the concert, feels like a confession of life’s end when considered within the film's overarching theme. The album wraps up with four previously unreleased tracks recorded during the ‘Memento Mori’ sessions. The reasons why these songs didn’t make the final album remain unclear. Among these, ‘Give Yourself To Me’ starts off echoing the yearning of ‘Waiting For The Night’ from ‘Violator’ before evolving into a tougher, more resolute piece. The contemplative track ‘In The End’, first introduced during the credits of ‘Depeche Mode: M’, reflects our eventual return to dust and is driven by the thickest Depeche Mode bass line since ‘Fly On The Windscreen’. While not cheerful, its unvarnished honesty exemplifies why Frias adeptly focused his lens on this band for his bold and ambitious film. 9/10 Words: Mat Smith — Join us on WeAre8 as we explore global cultural events. Follow Clash Magazine HERE for updates as we enjoy the vibrant scenes of clubs, concerts, interviews, and photo shoots. Get exclusive backstage glimpses and insights into our world as the excitement unfolds. Sign up for the Clash mailing list to receive the latest news in music, fashion, and film. В Racing Bulls с надеждой ожидают заключительную гонку сезона…

Арон и Майни будут проходить тестирование для Alpine в Абу-Даби.

Резервные пилоты команды Alpine, Пауль Арон и Куш Майни, проведут тесты на болиде A525 в Абу-Даби в следующий вторник.