Dan Tauriss: no queremos ser como los demás

Dan Tauriss: no queremos ser como los demás

      Cadillac F1, el nuevo equipo de fórmula 1 que debutará en el Campeonato en 2026, se está preparando a toda velocidad y su primera presentación oficial tuvo lugar en Miami durante el fin de semana.

      Sin embargo, la Prensa no se enteró de ninguna noticia especial, pero al menos los representantes de la gerencia del equipo y la preocupación de General Motors compartieron su visión de las perspectivas a corto plazo.

      Cadillac F1 es un proyecto conjunto de GM y la firma de capital privado TWG Global, ahora propietaria de los activos del equipo estadounidense Andretti, que en un momento fue el iniciador de la llegada a la fórmula 1.

      El equipo ya tiene alrededor de 350 empleados, pero gradualmente aumentará a 1, 000, y trabajarán en tres bases ubicadas en los Estados Unidos y el Reino Unido. Las plantas de energía que serán desarrolladas y fabricadas por GM estarán a cargo de los ingenieros del equipo en las bases de Indianápolis y Charlotte, Carolina del Norte, mientras que la tercera base se encuentra en Silverstone, donde se encuentra el Departamento de diseño.

      Por supuesto, todos se preguntan quién llevará los autos Cadillac F1 al gran premio de Australia la próxima temporada, y hay diferentes nombres en este contexto, pero esto es lo que dan Tauriss, jefe de TWG Motorsports, dijo en Miami que está liderando el proyecto para crear un nuevo equipo.

      "No tenemos prisa por elegir a los pilotos", cita el sitio oficial del Campeonato. – En el proceso de elegir un piloto para un equipo de fórmula 1, hay muchos factores que deben tenerse en cuenta, y el tiempo aún dura. Por supuesto, la lista de candidatos incluye nombres de los que ahora se habla mucho.

      Pero me divierte todos los días cuando Leo que ya estamos en la etapa final de la discusión del contrato, aunque no es así. Los resultados del piloto son un factor y otro es su experiencia. Dado que el equipo es nuevo, es extremadamente importante obtener una retroalimentación adecuada de los pilotos, no solo en la pista, sino también en el simulador, al analizar el comportamiento del automóvil.

      Hay muchos aspectos diferentes, y para tomar la decisión correcta, es mejor no apresurarse, sino recopilar la mayor cantidad de información posible.

      Tenemos la intención de invitar a un piloto estadounidense, pero es importante para todos nosotros que la elección sea la correcta, ya que es importante que este piloto tenga éxito. Queremos que esta persona esté orientada al éxito y preparada para ello…

      Desde mi punto de vista, el éxito tiene diferentes aspectos. Todo comienza con actuaciones exitosas en la pista. "Queremos que Cadillac F1 tenga un ejército de aficionados y que tenga éxito comercial. No queremos ser como los demás.

      Quiero que nuestro proyecto sea audaz, fresco y novedoso, lo que significa que debemos encontrar formas de lograrlo. Creo que si se combinan todos estos factores, es de ellos de donde viene el éxito en la fórmula 1".

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These unapologetic comedies from the '80s showcased a more boisterous sense of humor than contemporary films. They didn’t fret about offending anyone — their main goal was to make you laugh. **Porky’s (1981)** Kim Cattrall in *Porky’s*. 20th Century Fox. It continues to entertain us that Bob Clark, the brilliant director behind *Porky’s*, also directed *A Christmas Story*. (He also created the horror film *Black Christmas* and the children’s movie *Baby Geniuses*. Talk about versatility.) *Porky’s* is one of those '80s comedies that was often kept from kids, which seems logical in hindsight: Despite its freewheeling comedic style, it’s packed with unsettling humiliations, frequently of a sexual nature, and obviously includes a peeping scene that wouldn’t align with today’s consent standards. But referencing *A Christmas Story*, Bob Clark was unfazed. **Trading Places (1983)** Paramount – Credit: C/O At one point, Dan Aykroyd masks himself as a Jamaican. That’s not great. Additionally, some might take issue with the scene where a gorilla takes a villain as a mate. In retrospect, that may not seem very funny. However, various aspects of *Trading Places* shine, particularly its clever commentary on nature versus nurture, alongside astute observations regarding societal assumptions about who merits wealth. We appreciate its modern twist on the screwball comedies of the 1930s, and Aykroyd, Eddie Murphy, and Jamie Lee Curtis all deliver stellar performances. It remains one of our favorite comedies from the '80s. **Better Off Dead (1985)** Warner Bros. John Cusack stars as Lane Meyer, a teenager who attempts to end his life numerous times after being dumped by his girlfriend, Beth Truss (Amanda Wyss), for the arrogant Roy Stalin (Aaron Dozier). The entire premise wouldn’t be acceptable today, nor would the slapstick humor revolving around a teen trying to take his own life. Yet the film excels as absurdist comedy, rendering it impossible for any reasonable viewer to take it seriously. Additionally, like many films from the era, it includes some problematic Asian characters, but at least they're portrayed as skilled racers with girlfriends. By high school standards, they come across as much cooler than the unfortunate Lane. Lastly, Diane Franklin (above, with Cusack) shines as Monique, a notably intelligent, capable, and trendy dream girl. So, there’s that. This might be the most quintessential '80s comedy. **The Man With Two Brains (1983)** Warner Bros. The premise of this dark screwball comedy may seem somewhat misogynistic to some: Steve Martin portrays a deranged neurosurgeon, Dr. Michael Hfuhruhurr, who falls for the femme fatale Dolores Benedict (Kathleen Turner) and grows resentful as she refuses to consummate their marriage. Simultaneously, he develops affection for a disembodied brain, Anne (voiced by Sissy Spacek), and starts seeking a body for her. Along the way, he wishes for one attractive woman to die and contemplates killing another. The climax leads to a joke at the expense of compulsive eaters. While it doesn’t compare to *The Jerk*, a prior collaboration between Steve Martin and director Carl Reiner, it still contains some genuinely funny moments. **Heathers (1988)** New World Pictures *Heathers* stands as the most morbid of '80s comedies, embodying the nihilistic cool of Generation X. Written by Daniel Waters, it serves as a counterpoint to the generally optimistic John Hughes films of the time. The movie stars Christian Slater as a charmingly deranged teen who recruits the popular Veronica to assist him in eliminating popular kids, staging it to appear as suicides — utilizing sinister props like mineral water to enhance the crime scenes’ credibility. Remember, this was the '80s, a time when the concept of lethal suburban high school students seemed absurdly humorous. A recent attempt to adapt *Heathers* into a TV series was interrupted by real-life school violence incidents, rendering the theme quite unamusing for today’s audiences. **Coming to America (1988)** Paramount *Coming to America* offers something to offend everyone within its brilliant comedic madness, targeting nearly every demographic while respecting all varieties of hustles. Eddie Murphy masters the Richard Pryor technique of playing multiple characters within the same scene, enhanced by makeup. The film includes numerous jokes that may shock today’s younger audiences, but they were equally shocking upon the film’s release. Eddie Murphy and his team were indifferent; they aimed for hearty laughs, and they successfully delivered. **Airplane (1980)** Paramount – Credit: C These unapologetic comedies from the '80s showcased a more boisterous sense of humor than contemporary films. They didn’t fret about offending anyone — their main goal was to make you laugh. **Porky’s (1981)** Kim Cattrall in *Porky’s*. 20th Century Fox. It continues to entertain us that Bob Clark, the brilliant director behind *Porky’s*, also directed *A Christmas Story*. (He also created the horror film *Black Christmas* and the children’s movie *Baby Geniuses*. Talk about versatility.) *Porky’s* is one of those '80s comedies that was often kept from kids, which seems logical in hindsight: Despite its freewheeling comedic style, it’s packed with unsettling humiliations, frequently of a sexual nature, and obviously includes a peeping scene that wouldn’t align with today’s consent standards. But referencing *A Christmas Story*, Bob Clark was unfazed. **Trading Places (1983)** Paramount – Credit: C/O At one point, Dan Aykroyd masks himself as a Jamaican. That’s not great. Additionally, some might take issue with the scene where a gorilla takes a villain as a mate. In retrospect, that may not seem very funny. However, various aspects of *Trading Places* shine, particularly its clever commentary on nature versus nurture, alongside astute observations regarding societal assumptions about who merits wealth. We appreciate its modern twist on the screwball comedies of the 1930s, and Aykroyd, Eddie Murphy, and Jamie Lee Curtis all deliver stellar performances. It remains one of our favorite comedies from the '80s. **Better Off Dead (1985)** Warner Bros. John Cusack stars as Lane Meyer, a teenager who attempts to end his life numerous times after being dumped by his girlfriend, Beth Truss (Amanda Wyss), for the arrogant Roy Stalin (Aaron Dozier). The entire premise wouldn’t be acceptable today, nor would the slapstick humor revolving around a teen trying to take his own life. Yet the film excels as absurdist comedy, rendering it impossible for any reasonable viewer to take it seriously. Additionally, like many films from the era, it includes some problematic Asian characters, but at least they're portrayed as skilled racers with girlfriends. By high school standards, they come across as much cooler than the unfortunate Lane. Lastly, Diane Franklin (above, with Cusack) shines as Monique, a notably intelligent, capable, and trendy dream girl. So, there’s that. This might be the most quintessential '80s comedy. **The Man With Two Brains (1983)** Warner Bros. The premise of this dark screwball comedy may seem somewhat misogynistic to some: Steve Martin portrays a deranged neurosurgeon, Dr. Michael Hfuhruhurr, who falls for the femme fatale Dolores Benedict (Kathleen Turner) and grows resentful as she refuses to consummate their marriage. Simultaneously, he develops affection for a disembodied brain, Anne (voiced by Sissy Spacek), and starts seeking a body for her. Along the way, he wishes for one attractive woman to die and contemplates killing another. The climax leads to a joke at the expense of compulsive eaters. While it doesn’t compare to *The Jerk*, a prior collaboration between Steve Martin and director Carl Reiner, it still contains some genuinely funny moments. **Heathers (1988)** New World Pictures *Heathers* stands as the most morbid of '80s comedies, embodying the nihilistic cool of Generation X. Written by Daniel Waters, it serves as a counterpoint to the generally optimistic John Hughes films of the time. The movie stars Christian Slater as a charmingly deranged teen who recruits the popular Veronica to assist him in eliminating popular kids, staging it to appear as suicides — utilizing sinister props like mineral water to enhance the crime scenes’ credibility. Remember, this was the '80s, a time when the concept of lethal suburban high school students seemed absurdly humorous. A recent attempt to adapt *Heathers* into a TV series was interrupted by real-life school violence incidents, rendering the theme quite unamusing for today’s audiences. **Coming to America (1988)** Paramount *Coming to America* offers something to offend everyone within its brilliant comedic madness, targeting nearly every demographic while respecting all varieties of hustles. Eddie Murphy masters the Richard Pryor technique of playing multiple characters within the same scene, enhanced by makeup. The film includes numerous jokes that may shock today’s younger audiences, but they were equally shocking upon the film’s release. Eddie Murphy and his team were indifferent; they aimed for hearty laughs, and they successfully delivered. **Airplane (1980)** Paramount – Credit: C These unapologetic comedies from the '80s showcased a more boisterous sense of humor than contemporary films. They didn’t fret about offending anyone — their main goal was to make you laugh. **Porky’s (1981)** Kim Cattrall in *Porky’s*. 20th Century Fox. It continues to entertain us that Bob Clark, the brilliant director behind *Porky’s*, also directed *A Christmas Story*. (He also created the horror film *Black Christmas* and the children’s movie *Baby Geniuses*. Talk about versatility.) *Porky’s* is one of those '80s comedies that was often kept from kids, which seems logical in hindsight: Despite its freewheeling comedic style, it’s packed with unsettling humiliations, frequently of a sexual nature, and obviously includes a peeping scene that wouldn’t align with today’s consent standards. But referencing *A Christmas Story*, Bob Clark was unfazed. **Trading Places (1983)** Paramount – Credit: C/O At one point, Dan Aykroyd masks himself as a Jamaican. That’s not great. Additionally, some might take issue with the scene where a gorilla takes a villain as a mate. In retrospect, that may not seem very funny. However, various aspects of *Trading Places* shine, particularly its clever commentary on nature versus nurture, alongside astute observations regarding societal assumptions about who merits wealth. We appreciate its modern twist on the screwball comedies of the 1930s, and Aykroyd, Eddie Murphy, and Jamie Lee Curtis all deliver stellar performances. It remains one of our favorite comedies from the '80s. **Better Off Dead (1985)** Warner Bros. John Cusack stars as Lane Meyer, a teenager who attempts to end his life numerous times after being dumped by his girlfriend, Beth Truss (Amanda Wyss), for the arrogant Roy Stalin (Aaron Dozier). The entire premise wouldn’t be acceptable today, nor would the slapstick humor revolving around a teen trying to take his own life. Yet the film excels as absurdist comedy, rendering it impossible for any reasonable viewer to take it seriously. Additionally, like many films from the era, it includes some problematic Asian characters, but at least they're portrayed as skilled racers with girlfriends. By high school standards, they come across as much cooler than the unfortunate Lane. Lastly, Diane Franklin (above, with Cusack) shines as Monique, a notably intelligent, capable, and trendy dream girl. So, there’s that. This might be the most quintessential '80s comedy. **The Man With Two Brains (1983)** Warner Bros. The premise of this dark screwball comedy may seem somewhat misogynistic to some: Steve Martin portrays a deranged neurosurgeon, Dr. Michael Hfuhruhurr, who falls for the femme fatale Dolores Benedict (Kathleen Turner) and grows resentful as she refuses to consummate their marriage. Simultaneously, he develops affection for a disembodied brain, Anne (voiced by Sissy Spacek), and starts seeking a body for her. Along the way, he wishes for one attractive woman to die and contemplates killing another. The climax leads to a joke at the expense of compulsive eaters. While it doesn’t compare to *The Jerk*, a prior collaboration between Steve Martin and director Carl Reiner, it still contains some genuinely funny moments. **Heathers (1988)** New World Pictures *Heathers* stands as the most morbid of '80s comedies, embodying the nihilistic cool of Generation X. Written by Daniel Waters, it serves as a counterpoint to the generally optimistic John Hughes films of the time. The movie stars Christian Slater as a charmingly deranged teen who recruits the popular Veronica to assist him in eliminating popular kids, staging it to appear as suicides — utilizing sinister props like mineral water to enhance the crime scenes’ credibility. Remember, this was the '80s, a time when the concept of lethal suburban high school students seemed absurdly humorous. A recent attempt to adapt *Heathers* into a TV series was interrupted by real-life school violence incidents, rendering the theme quite unamusing for today’s audiences. **Coming to America (1988)** Paramount *Coming to America* offers something to offend everyone within its brilliant comedic madness, targeting nearly every demographic while respecting all varieties of hustles. Eddie Murphy masters the Richard Pryor technique of playing multiple characters within the same scene, enhanced by makeup. The film includes numerous jokes that may shock today’s younger audiences, but they were equally shocking upon the film’s release. Eddie Murphy and his team were indifferent; they aimed for hearty laughs, and they successfully delivered. **Airplane (1980)** Paramount – Credit: C

Dan Tauriss: no queremos ser como los demás

Dan Tauriss, el jefe de TWG Motorsports que dirige el proyecto de creación de equipos de Cadillac F1, aún no ha dado información específica, pero al menos comparte su visión de las perspectivas...