Max Verstappen: I don't like to speculate.

Max Verstappen: I don't like to speculate.

      After the US Grand Prix, Max Verstappen, who took a convincing victory and scored 33 points over the American weekend, commented on its outcome. Although his chances for the title have clearly improved, he made it clear that he is trying not to think about what awaits him in the remaining rounds of the season...

      Question: Max, congratulations on a convincing victory! Tell us how the race unfolded?

      Max Verstappen: Yes, the weekend was perfect. I think the most important part of the race was the first stint, when I managed to create a small gap, because after the pit stop everything mostly stabilized and I simply drove to the finish.

      I think it was very important to manage the tyres correctly, and that wasn't easy, because on some laps there were some odd sensations related to balance and grip. Overall, it was one of those days when you just have to try not to make mistakes, drive as consistently as possible and avoid the bumps. But we won again, and that can be considered an incredible achievement.

      Question: You mentioned tyre work: after the sprint you said you couldn't confidently judge the intensity of their wear. How did the tyres perform over the 56-lap Grand Prix distance?

      Max Verstappen: I think today the tyres worked somewhat better, although perhaps still not as well as I would have liked. But nevertheless we won, and that's of course the most important thing.

      Question: How much harder do you think it would have been if Charles Leclerc hadn't passed Lando Norris at the start?

      Max Verstappen: I think the battle would have been extremely tight. In my view, whenever the track ahead of Lando was clear, we ran at practically the same pace. Maybe at certain moments he was quicker. Overall, at the finish the gap between our cars would have been minimal.

      Question: Considering the speed your car is now capable of, and the fact that you beat Oscar Piastri by 30 seconds at this circuit, what do you think about the remaining rounds of the championship?

      Max Verstappen: I think that to have a chance at the title we must execute all the remaining races perfectly. Yes, we have significantly reduced the deficit, but since the difference in car performance is very small, each weekend you have to try to do everything as correctly as possible — that's exactly what we are trying to do.

      Question: Over the last four rounds you have taken 64 points back from Oscar, who leads the championship. On which of the remaining five tracks are you most likely to be able to fight for wins?

      Max Verstappen: I don't know. As I said, the rivalry is getting very fierce, and you just have to pay maximum attention to all the details — that's what the end result depends on. Each weekend you must try to set the car up as best as possible and also avoid mistakes. That's exactly how we're trying to operate.

      Question: Next up is the Mexican Grand Prix, and the Autódromo Hermanos Rodríguez is located at high altitude and the weather is expected to be very hot. How well do you think your car will cope with those conditions?

      Max Verstappen: We'll find out the whole truth next weekend. I'm not thinking about it yet. You can speculate, but I don't like doing that.

      Question: After the Zandvoort round you were 104 points behind Oscar, the championship leader. After four races your deficit was reduced to 40 points. If someone had told you during the Zandvoort weekend that after the US Grand Prix you would be back among the title contenders, would you have believed it?

      Max Verstappen: No. I would have told that person they're an idiot. However, it's simple: we managed to find the right approach to the car. Of course, we introduced a number of technical updates and now better understand the characteristics of the R21, we understand how to improve its efficiency, and we try to achieve that every weekend.

      Sometimes a weekend goes particularly well, but overall recently we've been doing much better than before. We must make every effort to ensure that this trend continues at each of the remaining rounds of the season.

Other articles

Russell describes 'boring' F1 as now being 'a race to Turn 1'. Russell describes 'boring' F1 as now being 'a race to Turn 1'. Formula 1 | George Russell states that the present era of Formula 1 has become more predictable, as track position and tire management allow for minimal opportunities for (…) Expansive and creative, Matt Von Roderick’s newest album ‘The Perfect Storm’ merges spiritual elements with experimental sounds, transforming jazz into a deeply imaginative and healing experience. In an interview with Atwood Magazine, the acclaimed trumpeter, vocalist, and composer discusses his artistic philosophy, the profound intentions behind his music, and how innovation, connection, and purpose shape his work.

“The sky’s the limit when it’s in your imagination… and then it’s about making it a reality.” 
For Matt Von Roderick, this idea is more than an artistic philosophy; it is a practical approach to his craft. The award-winning trumpeter, vocalist, and composer has devoted his career to reimagining the language of jazz, blending traditional lyricism with bold sonic exploration. His latest record, The Perfect Storm, represents the pinnacle of his journey: a comprehensive work that links the spiritual to the experimental, the timeless to the contemporary.

Recognized by The New York Times as “a post-millennial Chet Baker” and lauded by JazzTimes as “a top-tier trumpeter who sings like an angel hidden behind a storm cloud,” Von Roderick exists in what he defines as “the rarefied air of innovative jazz trumpeter and heart-centered crooner.” His performances, which balance meditation and exploration, have taken place at prestigious venues like Carnegie Hall, Lincoln Center, and The Kennedy Center, offering audiences a glimpse into his thoughtfully crafted soundscape.

Throughout his career, Von Roderick has collaborated with an impressive array of artists, including Brad Mehldau, Kenny Werner, Neil Diamond, Dionne Warwick, and The Saturday Night Live Band. His trumpet work can be heard on shows like Saturday Night Live, The Ellen Show, and events featuring Marianne Williamson. He has received accolades such as first place in the Independent Music Awards Jazz Category, a finalist position in the Thelonious Monk International Jazz Competition, and recognition as a Vilar Global Fellow – an honor described by The New York Times as “the Rhodes Scholarship of the performing arts.” What distinguishes Von Roderick is not just his technical skill but his commitment to purpose. His music weaves together trumpet and vocal multiphonics – techniques that enable simultaneous playing and singing – along with rich harmonies, ambient sounds, and spoken word. The outcome is a sound that is both ethereal and immediate, welcoming listeners into an emotional and expansive realm.

“It’s one of the best feelings when you’re adventuring in a new place, and the music and the audience’s connection become a new home in a sense… I live for that.” 
As he takes The Perfect Storm on tour across North America, Europe, and Australia for his Celestial Heart World Tour, Von Roderick continues to break down the barriers between performer and healer, virtuoso and visionary – each note serving as a reminder that art’s greatest strength lies in its ability to inspire something luminous within us all.

— —
:: stream/purchase The Perfect Storm here ::
:: connect with Matt Von Roderick here ::
— —

Matt Von Roderick © 2025  
A CONVERSATION WITH MATT VON RODERICK   
Atwood Magazine: Your fusion of trumpet, vocals, and technology has yielded such a fascinating, unique sound. Was there a particular song on the album that acted as the spark for this sonic universe?  
Matt Von Roderick: Ultimately, the sonic landscape I’ve crafted comes from thinking broadly, maintaining an “anything goes” mindset, and envisioning an exciting world of possibilities. The sky’s the limit when it’s in your imagination… then it’s about bringing it to reality. This has developed over time, but if I had to choose one song on THE PERFECT STORM album that ignited this journey, it would be ‘Coexistence’. That track captures an exploratory spirit and incorporates many influences at once.

As a composer, it seems you draw from numerous sources. Who have been your most significant influences, and what were you listening to while creating this record?  
Matt Von Roderick: My father is a classical violinist and my mother was a classical pianist—my exposure to their instruments from a young age has made classical music a major influence. Bach, in particular, captivates me for his intricate musical structures, which convey a deep sense of yearning and catharsis. Then I discovered Jazz, as I think many artists seeking genuine freedom of expression eventually do. In Jazz, I found inspirations like Charlie Parker, Miles Davis, Dizzy Gillespie, Chet Baker, Freddie Hubbard, Blue Mitchell, Sonny Rollins, John Coltrane, and Keith Jarrett… and I began to blend these influences with artists that resonate with many today—like Radiohead, The Flaming Lips, Lou Reed, Bob Dylan, Björk, Keane, Coldplay, Elliot Smith, and Nick Drake.

Although it may sound grand, I create music to remind people of Expansive and creative, Matt Von Roderick’s newest album ‘The Perfect Storm’ merges spiritual elements with experimental sounds, transforming jazz into a deeply imaginative and healing experience. In an interview with Atwood Magazine, the acclaimed trumpeter, vocalist, and composer discusses his artistic philosophy, the profound intentions behind his music, and how innovation, connection, and purpose shape his work. “The sky’s the limit when it’s in your imagination… and then it’s about making it a reality.” For Matt Von Roderick, this idea is more than an artistic philosophy; it is a practical approach to his craft. The award-winning trumpeter, vocalist, and composer has devoted his career to reimagining the language of jazz, blending traditional lyricism with bold sonic exploration. His latest record, The Perfect Storm, represents the pinnacle of his journey: a comprehensive work that links the spiritual to the experimental, the timeless to the contemporary. Recognized by The New York Times as “a post-millennial Chet Baker” and lauded by JazzTimes as “a top-tier trumpeter who sings like an angel hidden behind a storm cloud,” Von Roderick exists in what he defines as “the rarefied air of innovative jazz trumpeter and heart-centered crooner.” His performances, which balance meditation and exploration, have taken place at prestigious venues like Carnegie Hall, Lincoln Center, and The Kennedy Center, offering audiences a glimpse into his thoughtfully crafted soundscape. Throughout his career, Von Roderick has collaborated with an impressive array of artists, including Brad Mehldau, Kenny Werner, Neil Diamond, Dionne Warwick, and The Saturday Night Live Band. His trumpet work can be heard on shows like Saturday Night Live, The Ellen Show, and events featuring Marianne Williamson. He has received accolades such as first place in the Independent Music Awards Jazz Category, a finalist position in the Thelonious Monk International Jazz Competition, and recognition as a Vilar Global Fellow – an honor described by The New York Times as “the Rhodes Scholarship of the performing arts.” What distinguishes Von Roderick is not just his technical skill but his commitment to purpose. His music weaves together trumpet and vocal multiphonics – techniques that enable simultaneous playing and singing – along with rich harmonies, ambient sounds, and spoken word. The outcome is a sound that is both ethereal and immediate, welcoming listeners into an emotional and expansive realm. “It’s one of the best feelings when you’re adventuring in a new place, and the music and the audience’s connection become a new home in a sense… I live for that.” As he takes The Perfect Storm on tour across North America, Europe, and Australia for his Celestial Heart World Tour, Von Roderick continues to break down the barriers between performer and healer, virtuoso and visionary – each note serving as a reminder that art’s greatest strength lies in its ability to inspire something luminous within us all. — — :: stream/purchase The Perfect Storm here :: :: connect with Matt Von Roderick here :: — — Matt Von Roderick © 2025 A CONVERSATION WITH MATT VON RODERICK Atwood Magazine: Your fusion of trumpet, vocals, and technology has yielded such a fascinating, unique sound. Was there a particular song on the album that acted as the spark for this sonic universe? Matt Von Roderick: Ultimately, the sonic landscape I’ve crafted comes from thinking broadly, maintaining an “anything goes” mindset, and envisioning an exciting world of possibilities. The sky’s the limit when it’s in your imagination… then it’s about bringing it to reality. This has developed over time, but if I had to choose one song on THE PERFECT STORM album that ignited this journey, it would be ‘Coexistence’. That track captures an exploratory spirit and incorporates many influences at once. As a composer, it seems you draw from numerous sources. Who have been your most significant influences, and what were you listening to while creating this record? Matt Von Roderick: My father is a classical violinist and my mother was a classical pianist—my exposure to their instruments from a young age has made classical music a major influence. Bach, in particular, captivates me for his intricate musical structures, which convey a deep sense of yearning and catharsis. Then I discovered Jazz, as I think many artists seeking genuine freedom of expression eventually do. In Jazz, I found inspirations like Charlie Parker, Miles Davis, Dizzy Gillespie, Chet Baker, Freddie Hubbard, Blue Mitchell, Sonny Rollins, John Coltrane, and Keith Jarrett… and I began to blend these influences with artists that resonate with many today—like Radiohead, The Flaming Lips, Lou Reed, Bob Dylan, Björk, Keane, Coldplay, Elliot Smith, and Nick Drake. Although it may sound grand, I create music to remind people of The manufacturing of the electric van will pause for four days, but it is uncertain whether this break will be prolonged. Haas expect to fight for points in Mexico Haas expect to fight for points in Mexico The Haas team continues to fight for eighth place in the Constructors' Championship. Over the past two rounds, Oliver Bearman has scored four points, and the team is counting on the scoring streak continuing in Mexico. Red Bull penalized for 'tape-gate' altercation with McLaren. Red Bull penalized for 'tape-gate' altercation with McLaren. Formula 1 | Red Bull's festivities following Max Verstappen's commanding victory at the United States Grand Prix were momentarily interrupted when the FIA called the team regarding an (…) Piastri: I still believe I can win the title. Piastri: I still believe I can win the title. Oscar Piastri is confident that his experience fighting for a title in junior categories will help him now, as he leads the championship, but his advantage is rapidly shrinking... Stella pushes back against 'number 1' discussions as the pressure increases. Stella pushes back against 'number 1' discussions as the pressure increases. Formula 1 | Despite Max Verstappen's increasing pressure in the championship race, McLaren insists that they will not designate a 'number 1' driver between (…)

Max Verstappen: I don't like to speculate.

Max Verstappen commented on the results of the United States Grand Prix: although his chances of the title have clearly improved, he made it clear that he is trying not to think about what awaits him at the remaining rounds of the season...